The Rise of a Forgotten Aristocrat: A Queer Victorian Tale
The world of theatre and history collide in the captivating drama 'Madfabulous', where Callum Scott Howells takes center stage as the flamboyant aristocrat Henry Paget. This review aims to delve into the brilliance of Howells' performance and the intriguing story behind this hedonistic period piece.
What makes this production particularly fascinating is its reclamation of a forgotten chapter in queer history. Howells, known for his more reserved role in 'It's a Sin', now dons the persona of a Victorian-era butterfly, fluttering through a world of extravagance and scandal. His portrayal of Paget, the 5th Marquess of Anglesey, is a delightful blend of humor and vulnerability. With a moustache reminiscent of Proust, Howells embodies the delicate and eccentric aristocrat, a stark contrast to his previous roles.
The character of Paget is a complex one, and the film does an excellent job of showcasing his larger-than-life persona. Paget's lavish spending on private theatricals and wild parties is a testament to his hedonistic nature, but it also serves as a metaphor for his desire to escape societal norms. His gender-bending costumes, including the iconic butterfly dancer veil, challenge the rigid gender expectations of the time. Personally, I find it intriguing how the film uses Paget's extravagant lifestyle to explore themes of identity and self-expression, especially within the constraints of Victorian society.
One of the standout performances is by Rupert Everett as the fictional butler Gelert. Everett's portrayal evokes memories of his acclaimed role as Oscar Wilde in 'The Happy Prince'. This connection is not coincidental, as Paget's life shares parallels with Wilde's. Both men defied societal norms, faced scandal, and ended their lives in French exile. However, Paget's lack of literary talent, in my opinion, highlights the fine line between rebellion and genius. Wilde, a master of words, would likely disapprove of Paget's reckless spending, reminding us that extravagance and artistic brilliance are not always intertwined.
The film also delves into Paget's charitable endeavors, suggesting his theatricals were a means to raise funds for an orphanage. While this adds a layer of depth to his character, one can't help but wonder if there was a more narcissistic motive at play. This detail, I believe, is a clever way of exploring the complexities of historical figures and the often blurred lines between altruism and self-indulgence.
In conclusion, 'Madfabulous' is a delightful journey into a forgotten era, where Callum Scott Howells shines as the larger-than-life Henry Paget. It invites us to reflect on the intersection of history, identity, and the power of self-expression. From my perspective, it is a must-watch for those who appreciate a blend of historical accuracy, theatrical flair, and a healthy dose of personal commentary.
